Art Spiegelman’s Pulitzer Prize-winning graphic novel Maus is a milestone in Holocaust scholarship and a breakthrough in serious comics. But his accomplishments are more extraordinary and diverse. ART SPIEGELMAN: DISASTER IS MY MUSE began in the 1960s as the creator of the trading cards Wacky Packages; he co-founded the underground comics magazines Arcade (with Bill Griffith) and Raw (with his wife, Françoise Mouly); his response to 9/11, inspired by his witnessing the attacks from his Manhattan home, in “The Shadow of No Towers”; his controversial covers for The New Yorker (1993-2003), which prompted the New York police to picket the magazine’s offices; and his public response to the Tennessee School Board’s recent banning of Maus. Spiegelman serves as a great guide to his provocative work with contemporary (Robert Crumb, Gary Panter) and younger cartoonists (Joe Sacco, Jerry Craft, Molly Crabapple) who are inspired by Spiegelman’s unwavering commitment to the personal and traumatic.
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